Saw this floating around the interwebs today and had to try it.

Never having read any Stephen King (with the exception of On Writing, years ago), I have no idea whether my style remotely resembles his.  (My previous blog post came up Margaret Atwood – yay! – but the first page of my novel, which I re-wrote yesterday, came up Dan Brown – bleurgh.) Maybe those of you who read King can read this short story of mine and compare.  But do not expect any telekinetic prom queens, freaky clowns, or possessed automobiles.

Dust to Dust

I hear the doorbell ring and suddenly the panic takes me
The sound so ominously tearing through the silence
I cannot move, I’m standing
Numb and frozen
Among the things I love so dearly
The books, the paintings, and the furniture
Help me …
- Abba, “The Visitors”

Two black bags stood packed in the middle of the living room. It was the first time they’d ever been used, purchased not quite three months ago at the J.C. Penney thirty miles away. Their newness was obvious, even jarring, in the midst of all the antique furniture that fitted out the room. A lot of it was Victorian, or Victorian reproduction, and all of it feminine. None of it suited the dark paneled walls and rustic beams in the ceiling, and it certainly wasn’t the kind of furniture to suit the leathery skinned, denim clad cowboy leaning against the kitchen doorjamb staring at the bags (who, if he’d heard himself called a cowboy, would’ve made a gruff sound in his throat; he was far too old to be called any kind of boy). It was the detritus of the grandmother Judith had never known, which always seemed coated in layers of dust no matter how often she took the furniture polish to it, as if the dust were Nana’s presence in the house.

The old cowboy — Papa, he was to Judith — never talked much about Nana, yet to Judith, it somehow felt like he never spoke of anything else. He held her forever in his deep-set, startlingly blue eyes; her name was marked indelibly on his forearm, below the rolled-up shirtsleeve. Once Judith had asked about the tattoo, and Papa grunted and told her that all the guys got them during the war — anchors and eagles and such war imagery, or hearts draped in banners with their sweethearts’ names. It was very romantic, Judith thought, and very tragic. She told her boyfriend Johnny, and for Christmas he got her name tattooed on his bicep for her, which made Judith write in her diary that it would be Johnny her own granddaughter would see forever held in her eyes. Which were green, and not as naturally conducive to tragic romance as startling blue; but she had to work with what she got.

What Papa didn’t tell Judith was that Betty Jean hadn’t been impressed by the romantic gesture. Said she thought love meant remembering a girl’s name without having it written on your arm like a cheat sheet. She’d been that breed of practical Baptist farm girl indigenous to East Texas — the breed of girl Judith had never quite managed to be, even though she wore western cut jeans and shirts and boots.

But then, Judith had been born in San Francisco. Read the rest of this entry »

In case you missed it last Friday, I posted the first part of a two-part short story.  I’m not waiting until this Friday to post the conclusion, because Fridays are slow days on teh internets.

Her Dying Wish (Part 2)

Normally, Saturday mornings were for her (as they are for everybody–as they are for you) bliss.  Waking up is a delight because you have slept well, your subconscious untroubled in slumber by the unpleasant prospect of being woken by an alarm and having to go to work and finding repose in the freedom of an entire day ahead of you to do as you please–or, if you are dying, an entire day to do the things you always wanted to do before you die.

This Saturday, however, she awoke feeling as if she had never slept at all.  Read the rest of this entry »

Authors, apparently, must also be Bloggers.  As part of my mission to re-vamp lrburt.com, I’m incorporating several regular features, including Fiction Fridays, which are dedicated to posts about writing or excerpts of my fiction projects.

Since my readers are probably more interested in what I write than in how I write it, I’ll kick off Fiction Fridays with a short story I wrote a few years ago.  Actually, it’s not terribly short, so I’ll break it into two parts to post this week and next.  It’s a humor piece, and a love story, and it stars a roll of toilet paper.  Something for everyone.

Her Dying Wish

by LR Burt

If you asked her what she wanted to do before she died, she would tell you things unsurprising and unremarkable: to travel to Europe, to write a novel, to go skydiving, maybe, if she was feeling adventurous.

If she told you this, you would believe her; after all, everybody, yourself included, wants to travel to Europe, write a novel, and skydive before they die.

Like everyone who claims these dying wishes, she never put spare change in a jar to save for that European vacation; she never sat down to write the first line of the novel that came to her as a lightning bolt of inspiration; she definitely never felt adventurous enough to sign up for a skydiving course.

No, what she dreamed of, in her secret heart, was to knock glass jars off supermarket shelves; to say swear words in places and in front of people she shouldn’t; to write a scathing letter to a person of great importance.

In short, what she wanted to do before she died was to become a menace to society.

Of course, if you asked her, she would never tell you that, because as far as she knew, she really and truly believed she was exactly like everybody else–and nobody else wanted to become a menace to society before they died. At least, no one told her otherwise. If anyone had, she might have recognized her real dreams sooner, without resistance or thinking she was going mad, and by pleasanter means than the threat of her imminent death.

Although, if she had recognized her real dreams under less urgent circumstances, she would not have realized that she’d never really lived at all, or felt so acutely what it meant to come to life. Read the rest of this entry »

“Those who can’t, teach.” John Marks is one of those who can’t. Or at least that’s what he thinks…

Piano teacher to prepubescent video game addicts…driver of a jalopy that might once upon a time have been a Honda (though no one knows for sure)…prematurely balding…divorced: hardly the life of sophistication and beauty John Marks envisioned when he embarked on a music career. He’s no catch, yet he catches the starry eye of Laura Lovelace, a music student at his old university who initiates their relationship by making fun of his name (which has something to do with a famous nudist and an American president) and disagreeing with his favorite maxim. Though he swore off singers after his ex, John’s nosey pastor’s wife urges him to step into the dubious role of mentor to Laura. Which, apparently, involves playing sheriff (literally, in costume, complete with fake guns) at the parties of substance-abusing music students–but with the bonus of securing his place as Laura’s knight in shining armor–until she discovers that his heart is protected by an entirely different sort of armor, which hid the identity of his ex. Leaving him with yet another ex–and more broken career dreams–unless he can learn to accept himself (receding hairline, rattletrap car, and all).

Ever wanted to read what I spend all that time holed up in my home office writing?  (Ever wondered if I really write anything at all?)  Now you can, because I’ve published the first 16 chapters of my novel, Songs for Piano and Voice, at Authonomy. I’m hopeful this site will help me get published or find an agent, but at the very least I expect I’ll get some helpful feedback. Which is where you guys come in.

Authonomy was set up by the HarperCollins publishing company to help emerging writers get noticed. The way to get noticed is to appear on the bookshelves and watch lists of members, and, of course, to get lots of comments. Each month, an editorial board from the publisher selects the top five rated books to be professionally reviewed. Not only is this a source of invaluable feedback, but it has even led to publishing deals.

You have to register at the site in order to comment on books posted there, but if you could spare a moment to do that (it’s a simple matter of registering your email address and creating a password and screenname) and leave a review saying you loved it, hated it, or have an idea that would make it better, I would be extremely grateful.  And if you’re an avid reader who enjoys promoting the work of aspiring authors, take a nose around the site and read and comment on other books.

Above all, I’m delighted to give this sneak peek of my work.  I hope you enjoy!

Since it took me 80,000 words to have my star-crossed lovers meet, fall in love, and break up, I was figuring on it to take me anywhere from 40,000-80,000 more words to put them back together again.  (I called the king to ask for all his horses and all his men, but they were busy with this egg chap…)

However, now that I’m a few chapters into the getting-back-together phase of the story, my characters are quickly showing me that they dislike being apart every bit as much as I dislike writing them apart.  (Actually, I enjoy writing lovers’ quarrels, it’s just that it’s a lot easier to write flirtation.  But if writing novels was easy, more people would do it, and it wouldn’t be a job, would it?)   My characters still have lots of issues to work through and even more pain to deal with, but they surprised me today by doing things that indicate they want to get back together sooner rather than later.

Now, I understand that as Author, I wield phenomenal cosmic power over the characters I make up.  In the life of a fictional character, there is no concept of free will.  Yet as you write characters, a strange thing happens.  You’re not simply making up everything about them and everything they do.  They take on lives of their own.  It’s almost as if the act of writing is like chiseling away at a block of stone in which a human form already resides.  You’re not making so much as finding — finding out enough about these characters that you know what direction their stories should take even if it deviates from your original plan.

That’s why, even though I swear by planning what you’re going to write before you write it, I also swear that you have to be flexible to be a writer.   Where you might have planned for a character to retain the emotional control and distance of a Vulcan until the very end, she might tell you instead that she needs to be vulnerable.  After all, even though your characters aren’t real people, you want your characters to be like real people.  And real people aren’t (usually) Vulcans.  (Unless you’re writing, you know, Star Trek novels.  Which I’m not.  Although I am, clearly, a geek for making the reference at all.)  Real people are vulnerable.  And said character is going through a situation that would definitely leave a real person vulnerable and lowering her emotional guards.  So I think the new direction I took today was, though completely unexpected, the right one.

Speaking of real people and characters…

I don’t know if this is a common problem, but I’m never able to picture clear faces or features of characters when I’m writing or reading.   They’re just faceless blurs to me.  Yet whenever I see a film adaptation of a book I’ve read, I know whether the actor in a particular role fills in the (enormous) gaps in my imagination.  For instance, when Eric Bana was cast as Henry in the upcoming movie The Time Traveler’s Wife, I said a resounding oh yes. On the flip side, any number of actors in the Harry Potter movies make me scratch my head ask whether the casting directors read the same books as I did. (One of my many complaints about the Harry Potter film franchise, though that’s an entire blog post in itself…)

None of which is to say that I sit around thinking about who I’d like to play my leading characters if I not only get lucky enough to see my book in print, but also to have it adapted into a movie.  (Well, not very often, anyway…)  For one thing, it’s hard to cast characters who you can’t even picture yourself.  (I’ve had vague characteristics in mind for the leading lady, Laura — tall, naturally curly dark hair which she sometimes straightens, dark eyes, wide grin, toothpaste commercial teeth — but since the leading man, John, is the point of view character, I’ve managed to get by without describing him except as having thinning light brown hair.)  For another, I don’t want to base my characters off actors, lest parts of actors bleed into my characterization.  Unless, of course, that’s what I’m going for.  In this case, it’s not.

Recently I came across some reference or other to Anne Hathaway.  I hadn’t even really thought about Songs for Piano and Voiceyet that day, but immediately my thoughts went to it because it suddenly hit me that she looked exactly like the Laura I didn’t quite see in my head.  (Also, as I recalled a recent episode of SNL, she can sing, quite well, so if my book ever does become a movie…) Even more jaw-dropping was when I clicked on Anne’s IMDB profile and saw a still from one of her recent films featuring her in the arms of an actor who looked exactly like I hadn’t clearly imagined John.  (Patrick Wilson, if you’ve seen Watchmen, The Phantom of the Opera, or The Alamo.  Who also happens to be musical…Hmm…)  And again, it’s not like I need actors as reference points for my descriptions or characterizations.  I just think it’s kind of nice, after a year’s work on this book, to see more than blurs when I’m crafting scenes for John and Laura.  So now you can see them, too.

It’s strange to me how you can recognize someone you didn’t even know to look for — how the brain can supply you with only the vaguest of mental images, and yet you can feel very strongly about whether a depiction of someone or something is spot on or not.  I wonder if it’s at all connected to how you can forget the face of someone you know extremely well if you haven’t seen them in a while (sometimes a very little while, some people have told me).